Nick Hornby, Rose Byrne, and Ethan Hawke team-up to squash fandom in favor of romantic pursuits.
Obsession is tricky. How do you discern when passion deteriorates into addiction? As someone who spends a good portion of every day preoccupied with movies, I have a hard time recognizing when fandom turns toxic. Obviously, typing The Last Jedi into the search bar will send you down a wormhole of horrors committed by despicable degenerates and stunted ignoramuses.
Where obsession gets tricky is in identifying its negative hold on yourself. I treasure my enthusiasm and the enthusiasm of others. As I type, I’m also ticking down the seconds until the San Diego Comic Con where I can dive into the wave of the like-minded, and geek out over the minutia of Star Trek or Conquest of the Planet of the Apes‘ validity within the franchise.
We’re an easy mark for ridicule to outsiders. The 40-Year-Old Virgin cuts deep. Like everyone, we need a good ribbing to understand why we behave the way we do.
Nick Hornby certainly appreciates fanaticism confused as fandom. Diving into High Fidelity and Fever Pitch will reveal the fetishistic struggle faced by consumers of pop culture. Often the message is to take a breath and poke your head out of the basement to smell the roses. His heroes will never be free of their mania, but respite often comes in the form of romantic pursuit.
Fellow geeks, the time has come for another cinematic trip to the therapist’s couch. Juliet, Naked takes a jab at your idolatry and demands introspection. We’ve all been Chris O’Dowd here, but thankfully Ethan Hawke rarely shows up to school us.
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